8/19/2023 0 Comments Unbound beauty in motionBefore then, Felton was organizing the whole operation on her own. “And I think they’ve achieved it with this very lively musical rendition of an Inuit legend.”īannister was the first employee that Felton hired to help run R2R. “I think the filmmakers have taken quite a lot of care to consider how they can introduce this conversation of residential schools and inequity for Indigenous folks in Canada to a younger audience, which is obviously a delicate thing to do,” Bannister says of Sedna, Empress of the Sea. The film was selected to kick off the festival by programmer T Bannister, who has been producing and coordinating R2R since 2009. An Indigenous-made animated work, the tale is told through the oral history of writer-director-producer Jerry Thevenet’s grandmother, who is a residential-school survivor. Those themes can be found throughout the 2023 festival, including in the opening night film, Sedna, Empress of the Sea. Its annual Edith Lando Peace Prize is awarded to a work that uses cinema to advance the goals of peace and justice. Still carrying its founding principles of helping kids learn media-literacy skills, R2R is celebrating its 25th anniversary this year. It exposes children to other ways of life.” “I also think that it’s an opportunity for many cultures to be represented on the screen, and not just stereotypical characters. I think that children are very critical and astute viewers,” Felton shares over a phone call with Stir after a rainy morning bike ride with her dog. “There are so many great films for children that I didn’t see the harm being done. ![]() Artistically innovative films help cultivate ideas, says Felton-and might even inspire kids to create their own movies one day. Campaigns urging viewers to seek non-violent screening options were a dime a dozen, with a system for classifying the level of violence on TV programs rolled out in 1997 by the Canadian Radio-television and Telecommunications Commission.īut Felton’s background in media education for children had her questioning the growing skepticism of the screen at the time. WHEN VENAY FELTON launched the Reel 2 Real International Film Festival for Youth in the late ’90s, Canadians were faced with constant discussion surrounding the harmful effects of television for children.
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